| 38012号馆文选__Citizen Kane(公民凯恩) |
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CITIZEN KANE
By Herman J. Mankiewicz & Orson Welles Typed /Donated by John Powers Jon Reifler (CONTINUED) Shot of Congressional Investigating Committee (reproduction of existing J.P. Morgan newsreel). This runs silent under narration. Walter P. Thatcher is on the stand. He is flanked by his son, Walter P. Thatcher Jr., and other partners. He is being questioned by some Merry Andrew congressmen. At this moment, a baby alligator has just been placed in his lap, causing considerable confusion and embarrassment. Newsreel close-up of Thatcher, the soundtrack of which now fades in. THATCHER … because of that trivial incident… INVESTIGATOR It is a fact, however, is it not, that In 1870, you did go to Colorado? THATCHER I did. INVESTIGATOR In connection with the Kane affairs? THATCHER Yes. My firm had been appointed Trustees by Mrs. Kane for the fortune, Which she had recently acquired. It Was here wish that I should take charge Of this boy, Charles Foster Kane. NARRATOR That same month in Union Square – INVESTIGATOR Is it not a fat that on that occasion, The boy personally attacked you after Striking you in the stomach with a sled? Loud laughter and confusion. THATCHER Mr. Chairman, I will read to this Committee a prepared statement I have Brought with me – and I will then refuse To answer any further questions. Mr. Johnson. Please! A young assistant hands him a sheet of paper from a briefcase. THATCHER (reading it) “With full awareness of the meaning of my words and the responsibility of what I am about to say, it is my considered Belief that Mr. Charles Foster Kane, in Every essence of his social beliefs and By the dangerous manner in which he has Persistently attacked the American Traditions of private property, initiative And opportunity for advancement, is – in Fact – nothing more or less than a Communist.” Newsreel of Union Square meeting, section of crowd carrying banners urging the boycott of Kane papers. A speaker is on the platform above the crowd. SPEAKER (fading in on soundtrack) - till the words “Charles Foster Kane” are a menace to every working man in this land. He is today what he has always been and always will be – A FASCIST! NARRATOR And yet another opinion – Kane’s own. Silent newsreel on a windy platform, flag-draped, in front of the magnificent Enquirer building. On platform, in full ceremonial dress, is Charles Foster Kane. He orates silently. TITLE: “I AM, HAVE BEEN , AND WILL BE ONLY ONE THING – AN AMERICAN.” CHARLES FOSTER KANE. Same locale, Kane shaking hands out of frame. Another newsreel shot, much later, very brief, showing Kane, older and much fatter, very tired-looking, seated with his second wife in a nightclub. He looks lonely and unhappy in the midst of the gaiety. NARRATOR Twice married, twice divorced – first To a president’s niece, Emily Norton – Today, by her second marriage, chatelaine Of the oldest of England’s stately homes. Sixteen years after that – two weeks after His divorce from Emily Norton – Kane Married Susan Alexander, singer, at the Town Hall in Trenton, New Jersey. TITLE: FEW PRIVATE LIVES WERE MORE PUBLIC. Period still of Emily Norton (1900). DISSOLVE: Reconstructed silent newsreel. Kane, Susan, and Bernstein emerging from side doorway of City Hall into a ring of press photographers, reporters, etc. Kane looks startled, recoils for an instance, than charges down upon the photographers, laying about his with his stick, smashing whatever he can hit. NARRATOR For wife two, one-time opera singing Susan Alexander, Kane built Chicago’s Municipal Opera House. Cost: three Million dollars. Conceived for Susan Alexander Kane, half-finished before She divorced him, the still unfinished Xanadu. Cost: no man can say/ Still of architect’s sketch with typically glorified “rendering” of the Chicago Municipal Opera House. DISSOLVE: A glamorous shot of the almost-finished Xanadu, a magnificent fairy-tale estate built on a mountain. (1920) Then shots of its preparation. (1917) Shots of truck after truck, train after train, flashing by with tremendous noise. Shots of vast dredges, steamshovels. Shot of ship standing offshore unloading its lighters. In quick succession, shots follow each other, some reconstructed, some in miniature, some real shots (maybe from the dam projects) of building, digging, pouring concrete, etc. NARRATOR One hundred thousand trees, twenty Thousand tons of marble, are the Ingredients of Xannadu’s mountain. Xanadu’s livestock: the fowl of the Air, the fish of the sea, the beast Of the field and jungle – two of each; The biggest private zoo since Noah. Contents of Kane’s palace: paintings, Pictures, statues, the very stones of Many another palace, shipped to Florida From every corner of the earth, from Other Kane houses, warehouses, where They mouldered for years. Enough for Ten museums – the loot of the world. More shots as before, only this time we see (in miniature) al large mountain – at different periods in its development – rising out of the sands. Shots of elephants, apes, zebras, etc. being herded, unloaded, shipped, etc. in various ways. Shots of packing cases being unloaded from ships, from trains, from trucks, with various kinds of lettering on them (Italian, Arabian, Chinese, etc.) bull all consigned to Charles Foster Kane, Xanadu, Florida. A reconstructed still of Xanadu – the main terrace. A group of persons in clothes of the period of 1917. In their midst, clearly recognizable, are Kane and Susan. NARRATOR Kane urged his country’s entry into One war, opposed participation in Another. Swung the election to one American President at least, was Called another’s assassin. Thus, Kane’s papers might never have Survived – had not the President. TITLE: FROM XANADU, FOR THE PAST TWENTY-FIVE YEARS, ALL KANE ENTERPREISES HAVE BEEN DIDRECTED, MANY OF THE NATIONS DESTINIES SHAPED. Shots of various authentically worded headlines of American papers since 1895. Spanish-American War shots. (1898) A graveyard in France of the World War and hundreds of crosses. (1919) Old newsreels of a political campaign. Insert of a particularly virulent headline and/or cartoon. HEADLINE: “PRESIDENT SHOT” NARRATOR Kane, molder of mass opinion though he Was, in all his life was never granted Elective office by the voters of his Country. Few U.S. news publishers have been. Few, like one-time Congressman Hearst, Have ever run for any office – most know Better – conclude with other political Observers that one man’s press has power Enough for himself. But Kane papers were Once strong indeed, and once the prize Seemed almost his. In 1910, as Independent Candidate for governor, the best elements Of the state behind him – the White House Seemingly the nest easy step in a lighting Political career – Night shot of crowd burning Charles Foster Kane in effigy. The dummy bears a grotesque, comic resemblance to Kane. It is tossed into the flames, which burn up- -and then down… (1910) FADE OUT: TITLE: IN POLITICS – ALWAYS A BRIDESMAID, NEVER A BRIDE Newsreel shots of great crowds streaming into a building – Madison Square Garden – then shots inside the vast auditorium, at one end of which is a huge picture of Kane. (1910) Shot of box containing the first Mrs. Kane and young Howard Kane, age five. They are acknowledging the cheers of the crowd. (Silent Shot)(1910) Newsreel shot of dignitaries on platform, with Kane, alongside of speaker’s table, beaming, hand upraised to silent the crowd. (Silent Shot)(1910) NARRATOR Then, suddenly – less than one week Before election – defeat! Shameful, Ignominious – defeat that set back For twenty years the cause of reform Chances for Charles Foster Kane. Then, in the third year of the Great Depression… As to all publishers, it Sometimes must – to Bennett, to Munsey And Hearst it did – a paper closes! For Kane, in four short years: collapse! Eleven Kane papers, four Kane magazines Merged, more sold, scrapped – Newsreel shot – close-up of Kane delivering a speech… (1910) The front page of a contemporary paper – a screaming headline. Twin photos of Kane and Susan. (1910) Printed title about Depression. Once more repeat the map of the USA 1932-1939. Suddenly, the cartoon goes into reverse, the empire begins to shrink, illustrating the narrator’s words. The door of a newspaper office with the signs: “Closed.” |
| 原文2005年12月24日 发表于子曰电影网 浏览:1439 |
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